Books published by publisher NYR Children's Collection

“Once upon a time there was a little witch who was only a hundred and twenty-seven years old”—that’s how the story of the little witch and her talking raven Abraxas begins, and though one hundred and twenty-seven isn’t at all old for a witch, Little Witch already has a big problem. Every year, on Walpurgis Night, all the witches of the land meet to dance on Brocken Mountain. Little Witch is still too little to be invited, but this year she decided to sneak in anyway—and got caught by her evil aunt Rumpumpel! Little Witch is in disgrace. Her broomstick has been burned. She’s been made to walk home. She’s been told that she has a year to pull off some seriously good witchcraft if she wants to be invited to Walpurgis Night ever. And then there’s an even bigger problem: What after all does it mean to be a good witch? One way or another, by the end of the story, Little Witch will have proved herself to be the biggest and best witch of all.

New Year’s has passed. Twelfth Night is almost here. Krabat, a fourteen-year-old beggar boy dressed up as one of the Three Kings, is traveling from village to village singing carols. One night he has a strange dream in which he is summoned by a faraway voice to go to a mysterious mill—and when he wakes he is irresistibly drawn there. At the mill he finds eleven other boys, all of them, like him, the apprentices of its Master, a powerful sorcerer, as Krabat soon discovers. During the week the boys work ceaselessly grinding grain, but on Friday nights the Master initiates them into the mysteries of the ancient Art of Arts. One day, however, the sound of church bells and of a passing girl singing an Easter hymn penetrates the boys’ prison: At last a plan is set in motion that will win them their freedom and put an end to the Master’s dark designs. Krabat & the Sorcerer’s Mill was one of Cornelia Funke’s most beloved books as a child, and it is easy to see why. It is a wondrous story of magic, black and white; of courage and cunning; and of high adventure.

Wickedly funny and delightfully sad, Three Ladies Beside the Sea is a tale of love found, love lost, and love never-ending. Edward Gorey’s off-kilter Edwardian maidens are the perfect accompaniment to Rhoda Levine’s lilting rhymes.The place is remote:Three houses beside the sea.The Characters are Few:Laughing Edith of Ecstasy,Edith so happy and gay.Smiling Catherine of Compromise,She smiles her life away.And then there is Alice of Hazard,A dangerous life leads she.The question in the plot is quite simple:Why is Alice up in a tree?The answer can be discovered:Edith and Catherine do.

How to introduce children to Shakespeare, not just to the stories behind the plays but to the richness of Shakespeare’s language and the depth of his characters: That’s the challenge that Leon Garfield, no slouch as a wordsmith himself, sets out to meet in his monumental and utterly absorbing Shakespeare Stories. Here twenty-one of the Bard’s plays are refashioned into stories that are true to the wit, the humor, the wisdom, the sublime heights, the terrifying depths, and above all the poetry of their great originals. Throughout, Garfield skillfully weaves in Shakespeare’s own words, accustoming young readers to language and lines that might at first seem forbiddingly unfamiliar. Leon Garfield’s Shakespeare Stories is an essential distillation—a truly Shakespearean tribute to Shakespeare’s genius and a delight for children and parents alike.

“Once upon a time, in fact it was Tuesday,” the Bear went into the woods to settle in for his long winter nap. But when he awoke what had happened? The trees were gone, the grass was gone, the flowers were gone, and in their place were buildings, cars, a fenced-off courtyard. The Bear had no idea that he was in the middle of a factory. “Get back to work!” a man yelled out of the blue.“I don’t work here,” said the Bear, “I’m a bear.” The man laughed and laughed. “Fine excuse for a man to keep from doing any work—saying he’s a bear.” And so it began and so it went, with the Bear protesting his bearness all the way from the Third Vice President to the First, and no one willing to believe that he wasn’t just a silly man in a fur coat who needed a shave.How the bear endured and how he finally prevailed are the subject of this delightful modern fairy tale—beautifully illustrated with the author’s inventive line drawings—about sticking up for yourself, no matter how many Foremen, General Managers, Vice Presidents, or even Company Presidents stand in your way.

The Midnight Folk introduces readers to Kay Harker, the orphaned boy who is also the hero of John Masefield’s classic Christmas fantasy, The Box of Delights. Kay lives in a vast old country house, and is looked after by an unpleasant duo: the oily and egregious Sir Theopompous and the petulant and punitive Sylvia Daisy Pouncer. In her zeal to educate Kay on the finer points of Latin grammar, Sylvia Daisy has even taken away all of Kay’s toys. Life seems very dull, until out of an old family portrait steps Kay’s great-grandfather, a sea captain, who, if legend is to be believed, made off with a fabulous treasure. Soon Kay is engaged in a thrilling quest that begins each night as the clock strikes twelve, taking him into the enchanted and dangerous world of the Midnight Folk: pirates, highwaymen, talking animals, and a gang of witches led by none other than Sylvia Daisy (in cahoots, as in The Box of Delights, with the arch-villain Abner Brown). In the end, it is that ragtag team of old toys that rallies to support Kay and save the day.A book to set beside C.S. Lewis’s Narnia tales and Joan Aiken’s Wolves of Willoughby Chase—not to mention the Harry Potter series—The Midnight Folk is a wonderful and enthralling contribution to the great English tradition of children’s literature, beloved by adults and children alike.

Whimsical and revolutionary poems and art by some of Russia's foremost avant-garde writers and illustratorsA boy wants a toy horse big enough to ride, but where can his father find it? Not in the stores, which means it’s got to be built from scratch. How? With the help of expert workers, from the carpenter to the painter, working together as one. And now the bold boy is ready to ride off in defense of the future! Two trams, Click and Zam, are cousins. Click goes out for a day on the tracks and before long he’s so tired he doesn’t know where he is or how to get back. All he knows is he’s got to find Zam. Click is looking for Zam and Zam is looking for Click, and though for a while it seems like nobody knows where to find Click, good and faithful Zam is not to be deterred. Peter’s a car, Vasco’s a steamboat, and Mikey’s a plane. They’re all running like mad and going great guns until, whoops, there’s a big old cow, just a plain old cow, standing in the road. What then? The early years of the Soviet Union were a golden age for children’s literature. The Fire Horse brings together three classics from the era in which some of Russia’s most celebrated poets, Vladimir Mayakovsky, Osip Mandelstam, and Daniil Kharms, teamed up with some of its finest artists, Lidia Popova, Boris Ender, and Vladimir Konashevich. Brilliantly translated by the poet Eugene Ostashevsky, this is poetry that is as whimsical and wonderful as it is revolutionary.

When Catherine Storr’s daughter was very small, she was afraid of the wolf under her bed, so every night her mother would tell her a story in which Polly outwitted the wolf. These bedtime stories eventually became the collection Clever Polly and the Stupid Wolf, a wonderfully thrilling and reassuring series of adventures in which the clever, independent, and unstoppable Polly fools the persistent, hungry young wolf time and again. In a match much like Bugs Bunny and the Road Runner but more polite and quick-witted, Polly and the wolf develop ever-more complicated ways of turning the tables on each other as they grow older and, in Polly’s case at least, wiser. Three more collections of stories followed the original Clever Polly, all hilariously inventive variations on a much loved theme, and all of the stories are collected here for the first time.

Strange things begin to happen the minute young Kay Harker boards the train to go home for Christmas and finds himself under observation by two very shifty-looking characters. Arriving at his destination, the boy is immediately accosted by a bright-eyed old man with a mysterious message: “The wolves are running.” Soon danger is everywhere, as a gang of criminals headed by the notorious wizard Abner Brown and his witch wife Sylvia Daisy Pouncer gets to work. What does Abner Brown want? The magic box that the old man has entrusted to Kay, which allows him to travel freely not only in space but in time, too. The gang will stop at nothing to carry out their plan, even kidnapping Kay’s friend, the tough little Maria Jones, and threatening to cancel Christmas celebrations altogether. But with the help of his allies, including an intrepid mouse, a squadron of Roman soldiers, the legendary Herne the Hunter, and the inventor of the Box of Delights himself, Kay just may be able rescue his friend, foil Abner Brown’s plot, and save Christmas, too.At once a thriller, a romp, and a spellbinding fantasy, The Box of Delights is a great English children’s book and a perfect Christmas treat.

In English for the first time, a wild and darkly funny book that combines Surrealist painter Leonora Carringon's fantastical writing and illustrations for childrenThe maverick surrealist Leonora Carrington was an extraordinary painter and storyteller who loved to make up stories and draw pictures for her children. She lived much of her life in Mexico, and her sons remember sitting in a big room whose walls were covered with images of wondrous creatures, towering mountains, and ferocious vegetation while she told fabulous and funny tales. That room was later whitewashed, but some of its wonders were preserved in the little notebook that Carrington called The Milk of Dreams. John, who has wings for ears, Humbert the Beautiful, an insufferable kid who befriends a crocodile and grows more insufferable yet, and the awesome Janzamajoria are all to be encountered in The Milk of Dreams, a book that is as unlikely, outrageous, and dreamy as dreams themselves.

A New York Review Children's Collection OriginalThe Complete Bostock and Harris combines two delightful, suspenseful, and madly funny tales about two boys in eighteenth-century England, clever and mischievous Harris and sweet but not-so-bright Bostock, who in spite of their differences are the best of friends. In “The Strange Affair of Adelaide Harris,” the wily pair put their classical education to the test when they adopt the Spartan custom of exposing infants to the wild, leaving Harris’s infant sister, Adelaide, to the elements. The boys imagine a wolf will come to nourish her, but their plan backfires. It is springtime in “The Night of the Comet,” and in the days before Pigott’s comet will pass over their town, Harris’s and Bostock’s thoughts turn to love: Bostock swoons over Harris’s sister Mary; Harris longs for Captain Bostock’s telescope. The boys strike a deal: Bostock will make off with the telescope in exchange for Harris’s “expert” wooing advice. Unfortunately, that expertise is not quite what Bostock would have hoped.

It’s bad news when you wake up in the morning and find you’ve lost your head, especially if it’s an especially agreeable and handsome head, but there you go, such things happen. In any case, the man who loses his head in The Man Who Lost His Head isn’t about to grin (that is, if he could grin) and bear it. No, he’ll make himself a new one, and starting with a pumpkin and moving on to a parsnip and finally picking up a block of wood, he sets about getting it just right. Still, for all his efforts, it somehow isn’t right. It isn’t the head he had before. It turns out that only a brash bold boy can save the man who lost his head from losing it altogether.Claire Huchet Bishop’s charming parable is illustrated by the great Robert McCloskey, whose books for children include One Morning in Maine, Blueberries for Sal, and the Caldecott Medal–winning Make Way for Ducklings.